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Jean-François Portaels - A Daughter of the East
 

 

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Description
English: Jean-François Portaels: A Daughter of the East

Identifier: artartistsofourt06cook (find matches)
Title: Art and artists of our time
Year: 1888 (1880s)
Authors: Cook, Clarence, 1828-1900
Subjects: Painting Painters
Publisher: New York, S. Hess
Contributing Library: Brandeis University Libraries
Digitizing Sponsor: Boston Library Consortium Member Libraries

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
REMBRANDTS STUDIO. FROM THE ORIGINAL PAINTING BY HENRI LEYS. BY PERMISSION OF C. L. HUTCHINSON^ ESQ. intended by his parents for the Church; but he was so strongly drawn to the pursuit of art,both by his natural taste and by the example of his brother-in-law, Ferdinand De Brakeleer
Text Appearing After Image:
zje^vLaktkez, sculpt A DAUGHTER OFTHE EAST SELMAR HESS , PUBluSHKR, Iir. ART AND ARTISTS OF OUR TIME, 307 the artist, tliat in 1830 lie entered De Brakeleers studio, and soon showed that his decisionhad been well taken. His early pictures like The Studio of Rembrandt and TheArmorer, which we copj;, were founded, in style, upon the teachings of the scliool that was inthe ascendant in the first quarter of our century; but to the careful training in the techniqueof his profession he brought a strong love of the picturesque, toned down, however, and tem-pered by the study of the older painters of his native country-—Peter de Hooghe, Rembrandt,Terburg. He began with subjects suggested by these masters, but bj^ no means imitatingtheir manner. The Studio of Rembrandt—if that were indeed its original title, and notsimply The Studio—slightly recalls the compositions of Terburg, but it is essentiallymodern in its treatment of the types, and in this recalls rather Meissonier than the older

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Date
Source https://www.flickr.com/photos/internetarchivebookimages/14597899657/
Author Internet Archive Book Images
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Flickr tags
  • bookid:artartistsofourt06cook
  • bookyear:1888
  • bookdecade:1880
  • bookcentury:1800
  • bookauthor:Cook__Clarence__1828_1900
  • booksubject:Painting
  • booksubject:Painters
  • bookpublisher:New_York__S__Hess
  • bookcontributor:Brandeis_University_Libraries
  • booksponsor:Boston_Library_Consortium_Member_Libraries
  • bookleafnumber:190
  • bookcollection:Brandeis_University
  • bookcollection:blc
  • bookcollection:americana
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Photo's description:
Jean-François Portaels: A Daughter of the East Identifier: artartistsofourt06cook (find matches) Title: Art and artists of our time Year: 1888 (1880s) Authors: Cook, Clarence, 1828-1900 Subjects: Painting Painters Publisher: New York, S. Hess Contributing Library: Brandeis University Libraries Digitizing Sponsor: Boston Library Consortium Member Libraries View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: REMBRANDTS STUDIO. FROM THE ORIGINAL PAINTING BY HENRI LEYS. BY PERMISSION OF C. L. HUTCHINSON^ ESQ. intended by his parents for the Church; but he was so strongly drawn to the pursuit of art,both by his natural taste and by the example of his brother-in-law, Ferdinand De Brakeleer Text Appearing After Image: zje^vLaktkez, sculpt A DAUGHTER OFTHE EAST SELMAR HESS , PUBluSHKR, Iir. ART AND ARTISTS OF OUR TIME, 307 the artist, tliat in 1830 lie entered De Brakeleers studio, and soon showed that his decisionhad been well taken. His early pictures like The Studio of Rembrandt and TheArmorer, which we copj;, were founded, in style, upon the teachings of the scliool that was inthe ascendant in the first quarter of our century; but to the careful training in the techniqueof his profession he brought a strong love of the picturesque, toned down, however, and tem-pered by the study of the older painters of his native country-—Peter de Hooghe, Rembrandt,Terburg. He began with subjects suggested by these masters, but bj^ no means imitatingtheir manner. The Studio of Rembrandt—if that were indeed its original title, and notsimply The Studio—slightly recalls the compositions of Terburg, but it is essentiallymodern in its treatment of the types, and in this recalls rather Meissonier than the older Note About Images Please note that these images are extracted from scanned page images that may
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