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Loja de Sapateiro Aquarela Jac by Jean-Baptiste Debret 1820-1830
 

 

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Summaryedit

Artist
Title
Português: Loja de Sapateiro
Español: Zapatería
English: Shoe shop
Description
Português: Loja de Sapateiro Aquarela, Jean-Baptiste Debret
Español: Zapatería, Jean-Baptiste Debret

El artista graba dos reacciones en rostros negros: uno mira con recelo el castigo con un azote de paleta que se aplica a su compañero, tal vez revelando el temor de que pueda pasar a él también. El otro parece hacer caso omiso de lo que pasó; la atención se centra en la realización de la tarea que le corresponde. Acerca de que, sin duda, no se pueda caer en ningún castigo porque se trabaja muy de cerca. En general, la expresión y el cuerpo disposición de cada tres negro parece expresar la condición de sumisión que se encuentran y, en cierto sentido, legitima el derecho del zapatero enojado de su castigo.[1] La situación descrita puede confirmar la brutalidad del sistema esclavista, condenado, por supuesto, por una mirada extranjera de la Francia post-revolucionaria, como fue el caso de Debret.

Pero esta escena le sigue un personaje de la izquierda, desde la puerta, incluye lo que sucede en el recinto de la zapatería. Esta es la mulata de un zapatero portugués, quien con su hijo en brazos, a quien amamanta, tiene una opinión diferente.[1] Ella parece tener una mirada curiosa en su rostro. No repele la escena, no está consternado por lo que ve y parece incluso experimentar una cierta sensación de alegría hacia el incidente contemplando. ¿Esta esta mulata por encima la escala social por su conexión con el zapatero, que expresa un cierto placer masoquista en la contemplación del sufrimiento de los demás? lo dice Debret, señalar que esta mulata no pudo resistir el placer de espiar castigo.[1]
English: Shoe Shop by Jean-Baptiste Debret

The artist shows two reactions in the black faces: One look with fear the punishment by a whip paddle which his friend is submitted to, maybe thinking that it may happen to him as well. The other seems to pretend not to notice it; his attention is in the task he is given, so that no punishment may befall him because of the care he has for his job. In general, the body language and expression of all tree seems to express the condition of submission in which they are, and, in some sense, legitimize the action of the shoemaker.[1] The situation described could confirm the brutality of the slave system, which was of course condemned by the French-post revolutionary view of Debret.

But there is also someone who is watching the scene, by the door to the left. That is the mulatta of a Portuguese shoemaker, who, while breastfeed her son, has a different opinion of the situation. She seems to be curious.[1] She is not rejecting the scene or disgusted by what she is seeing, but appears to feel a sensation of happiness about the scene she is contemplating. Is this mulatta above in the social scale because of her relationship with the shoemaker? That is why she express some masochist pleasure in witnessing the suffering of others? That is what Debret probably wanted to portrait, that this mulatta could not resit the temptation to spy the punishment.[1]
Date before 1830
Medium Watercolor painting
Source/Photographer Photo by The Photographer of a painting under Public Domain
Permission
(Reusing this file)
Public domain According to the Brazilian Copyright Law (Lei 9.610 de 19 de fevereiro de 1998; See translation)
  • Article 44: The economic rights in audiovisual and photographic works shall be protected for a period of 70 years from the first of January of the year following that of their disclosure;
  • Article 96: The term of protection of neighboring rights shall be 70 years from the first of January of the year following fixation for phonograms, transmission for the broadcasts of broadcasting organizations and public performance in other cases. Hence, this media file is under no copyrights. See Recursos no domínio público.

English | македонски | português | español | +/−
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Referencesedit

  1. ↑ a b c d e f Loja de Sapateiro - Presença Africana
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Photo's description:
French painter and lithographer


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Date and time original image was generated 2015:03:28 18:04:07
Date and time image was made digital data 2015:03:28 18:04:07
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Software used Adobe Photoshop Lightroom 5.3 (Windows)




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