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English: Composition VI (on black fond).
Nederlands: Compositie VI (op zwart fond) (Hoek (red.; 2000; ISBN 9068682555): p. 194).
Nederlands: Kompositie op zwarten fond (1926).
Nederlands: Compositie VI 1917 (op zwarten grond; eterniet) Pétro v.d. (ca. 1926).
Nederlands: Comp. VI (Coll. Heap New York) 1916 (datum onbekend).
Nederlands: L'homme à la pipe (?) (1951).
Italiano: Composizione VI (1979).
English: Oil or tempera on asbestos.
Nederlands: Olieverf of tempera op eterniet.
Last exhibited at The Little Review Gallery, New York, 1926; lost since then.
Published in / Gepubliceerd in:
Ad Petersen (ed.; 1968) De Stijl [vol] 2. 1921_1932. Complete Reprint 1968, Amsterdam: Athenaeum, Den Haag: Bert Bakker, Amsterdam: Polak & Van Gennep, p. 474.
(Reusing this file)
|Theo van Doesburg (1883–1931)|
|Alternative names||Christian Emil Marie (Emile) Küpper, I.K. Bonset|
Dutch architect, painter and writer
|Date of birth/death||30 August 1883||7 March 1931|
|Location of birth/death||Utrecht||Davos|
|Work location||Amsterdam (1899-1914), Amersfoort (September 1908 ), Apeldoorn (July 1910 ), Fort Veldhuis (Heemskerk) (July 1914 ), Groesbeek (May 1915 -June 1915 , September 1916 ), Utrecht (city) (September 1915 -1916), Zoeterwoude (1916), Leiden (1916-1921), Paris (28 March 1921 ), Weimar (1921-1924), Rügen (July 1922 -August 1922 ), Paris (1923), Clamart (1924-1930), Belle-Île-en-Mer (June 1924 ), Strasbourg (September 1926 -February 1928 ), San Sebastian (1927), Antrain (Summer 1929), The Hague (1929), Auvers-sur-Oise (September 1930 ), Meudon (December 1930 -February 1931 ), Davos (March 1931 )|
|Authority control||LCCN: n79133763 | PND: 118526405 | VIAF: 39646290 | WorldCat | WP-Person|
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For details, see Commons:When to use the PD-Art tag.
|Size, bytes||0.0518823242187 мб|
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